This photo is of Billy. Back in 1950s Ohio he often wandered around our neighborhood dressed in his mother’s castoff dresses and high heels. You can imagine what the other boys did about that, but their jeers never stopped Billy.
The flag and hat were merely props like the fake pistols and stick horses we made out of sassafras and rode everywhere pretending they were real. Soft-spoken Billy loved animals and never hurt anyone or any thing as far as I knew.
Years later after finishing college I learned he lost and eye while fighting in Viet Nam. After service he ended up in prison and was murdered there. I have no idea of the circumstances, but can imagine.
I will dedicate my novel, Unspoken, to him. As a boy I knew him fairly well, and am pretty darn sure he didn’t deserve what happened to him.
Billy was one more case of the inequality that has occurred in our country over the years. One more George Floyd, though Billy was white. We must continue to join together to put an end to injustice. All of us of every shade and color.
This is a difficult post. I came to the conclusion that I was not willing to back my manuscript with $10,000 or more. I am of two minds. One is an adult woman willing and able to take risks. The other is a fearful little girl. They are the product of an incest survivor. It took a few days for me to realize that little girl had to have her say about this entire process.
My angry, depressed dad alienated our family from everyone but his relatives. Yet he presented the picture of a wonderful man to all except us.
I and my younger sister grew up in a home with a living room and exposed rafters. We wore the same three or four outfits to school all year long. I wore hand-me-downs from my older cousin. We each had one coat that lasted until we outgrew it. Dad purposely ran over my sister’s bike to teach her not to leave it in the driveway. Mom complained to me about her fears that he didn’t pay the bills on time. Yet he found time to help his brother with his house, bought golf clubs, bowling equipment, guns, a stereo, and records.
When we started school Mom found a job at the local drugstore. I thought to help pay bills, but years later she said it was to get out of the house and be around people who appreciated her.
He was emotionally abusive to the three of us. We lived a childhood of constant anxiety: Diann stuttered and developed asthma; I got migraines. Mom was a loving, dear, but weak, person, who my sister and I believed we had to protect. Dad took advantage of that when he took advantage of me. “Don’t tell your mom.” I knew what he meant.
Only after years of therapy did I realize she should have protected us.
I am grown now, but that little girl’s feelings and fears concerning money, security, and trust never go away. The adult in me jumped at the chance to follow my dream of publishing a book I believed in. A few days later that little girl freaked out. Another couple days and I realized what happened.
I don’t have to give in to fear once I realize the truth. That’s the first step — recognizing the fear and where it comes from. I sat down and checked my finances, found it will not destroy me to lose $15,000, only make my life more difficult. I can handle that. I can reassure my little girl. I have.
I know there are survivors, men and women, like me out there. I hope this and the books I write will help us all. By us I mean not only survivors but all minorities: LGBTQ, blacks, Muslims, Jews, Native Americans, Latinos, immigrants, elders, . . . Who did I leave out? Imagine how strong we would be if we all united!
I recently downloaded a book by Colleen M. Story entitled Writer get Noticed!, which is supposed to help me pursue my own path while developing an author platform. Sounds like a great idea, since I need help with my platform.
My cat, Dickens, is here next to my computer, as usual and willing, but I doubt he knows much about this sort of thing.
The book suggests I keep a journal of each of its steps, answering core questions, which I did:
I truly don’t care about making a lot of money. Thank goodness. Because the chances of that are slim. To me, higher royalties are not that important.
What my novel has to say is important. It is meaningful and fits my vision.
As much as I believe She Writes Press is a good fit for many writers, I don’t believe it is for me.
They read three hundred pages of my manuscript to invite me to publish with them. I should have known this was enough to recognize talent, but not enough to financially back my novel. This is my impression of the approach of a school who awards a publishing contract upon graduation. The She Writes Press team is excellent and I wish I could afford them, but I cannot.
I want a publisher who believes in my novel, Unspoken, as much as I do, or at least enough to financially support it.
I am grateful to She Writes Press and responders on Critique Circle for what I have learned these past few weeks. I began as such a naive newbie, and I now have direction. I highly recommend She Writes Press for many women writers who can afford to publish with their team. You will get plenty of support on your journey, merely not financial.
Where do I go from here?
I will be writing about my platform and why this novel is important. I hope you will come along for the ride.
I received an eight-page contract from She Writes Press, which includes an Exhibit A, stating those services to be performed by Publisher; Exhibit B, which is to eventually list any additional services, timeframe, fees, etc.; and Exhibit C, which contains a Fee Schedule.
The entire contract is in small print.
I hate contracts. I hate reading them.
I haven’t been able to find a publishing lawyer here in Arizona. So far. Maybe never.
Which means I’ve been trying to understand this thing myself. Bad idea.
I took paralegal classes years ago, one of which was contracts. Learned enough to get me in trouble. Similar to driving a four-wheel drive vehicle and heading for the mountains. I’ve done that, too. A person can get into big trouble with a four-wheel drive vehicle on those trails. I’ve been there and I know. Nearly got stuck overnight on this road once. My ex-husband was driving. Three of us had to get out of the vehicle and move rocks to back out. Big rocks.
Another time I was driving and my friend said, “keep going, keep going, keep going.” Nearly went right over a cliff.
Back to the contract.
I learned the following from reading that contract: She Writes Press is not risking a darned thing.
The author risks all. I pay for their expertise. Quite a lot, actually. I pay for printing, shipping, warehousing, returns, and numerous other fees. If anything goes wrong, I pay for that, too. Like, if my book doesn’t sell. Eeks, I can’t stand that “like” word, and I used it. Ah, well. Welcome to the millennial generation. I promise to not use it again, at least not in this post.
What do She Writes Press services include?
The following is Exhibit A:
interior design of the book up to 120,000 words
E-book file prep and upload to Amazon, B&N and iBookstore
Distribution to Trade Accounts through their current distribution partner
Management of the distribution relationship for the term of the Agreement
Proofreading of final manuscript
Copyright filing and obtaining Library of Congress control number
Warehousing of short-run printed books for first year
Fulfillment of orders on short-run printed books (I pay shipping)
Support and management of title metadata
Ongoing project management of title for term of Agreement
Support for getting books into bookstores, libraries and other trade outlets
All the above costs $7,500.
I found a blog by Lloyd J. Jassin, an experienced New York publishing attorney, that clearly explains what a publishing contract should contain, and She Writes Press matched his suggestions. If you are interested, his blog is here.
There are a number of terms in the contract that have not been defined to my satisfaction.
One of these terms is “derivatives.” Does this include sequels to the novel?
The contract says nothing about a particular date for She Writes Press to publish my novel, what the New York attorney calls a “Duty to Publish.” Brooke has told me when she expects my book to be published, but this is not in the contract.
Lastly, I want subsidiary rights. These include rights to foreign publishing, motion picture, TV, audio, merchandising, and TV rights. I don’t expect any of that to happen, but, who knows?
Obviously, they are in the publishing business to make money publishing, not to take risks. They are going to be sure to make their profit, no matter what happens to me and my book.
I must go into this with my eyes and my bank account open.
I welcome any and all pertinent suggestions and comments.