I recently downloaded a book by Colleen M. Story entitled Writer get Noticed!, which is supposed to help me pursue my own path while developing an author platform. Sounds like a great idea, since I need help with my platform.
My cat, Dickens, is here next to my computer, as usual and willing, but I doubt he knows much about this sort of thing.
The book suggests I keep a journal of each of its steps, answering core questions, which I did:
I truly don’t care about making a lot of money. Thank goodness. Because the chances of that are slim. To me, higher royalties are not that important.
What my novel has to say is important. It is meaningful and fits my vision.
As much as I believe She Writes Press is a good fit for many writers, I don’t believe it is for me.
They read three hundred pages of my manuscript to invite me to publish with them. I should have known this was enough to recognize talent, but not enough to financially back my novel. This is my impression of the approach of a school who awards a publishing contract upon graduation. The She Writes Press team is excellent and I wish I could afford them, but I cannot.
I want a publisher who believes in my novel, Unspoken, as much as I do, or at least enough to financially support it.
I am grateful to She Writes Press and responders on Critique Circle for what I have learned these past few weeks. I began as such a naive newbie, and I now have direction. I highly recommend She Writes Press for many women writers who can afford to publish with their team. You will get plenty of support on your journey, merely not financial.
Where do I go from here?
I will be writing about my platform and why this novel is important. I hope you will come along for the ride.
I received an eight-page contract from She Writes Press, which includes an Exhibit A, stating those services to be performed by Publisher; Exhibit B, which is to eventually list any additional services, timeframe, fees, etc.; and Exhibit C, which contains a Fee Schedule.
The entire contract is in small print.
I hate contracts. I hate reading them.
I haven’t been able to find a publishing lawyer here in Arizona. So far. Maybe never.
Which means I’ve been trying to understand this thing myself. Bad idea.
I took paralegal classes years ago, one of which was contracts. Learned enough to get me in trouble. Similar to driving a four-wheel drive vehicle and heading for the mountains. I’ve done that, too. A person can get into big trouble with a four-wheel drive vehicle on those trails. I’ve been there and I know. Nearly got stuck overnight on this road once. My ex-husband was driving. Three of us had to get out of the vehicle and move rocks to back out. Big rocks.
Another time I was driving and my friend said, “keep going, keep going, keep going.” Nearly went right over a cliff.
Back to the contract.
I learned the following from reading that contract: She Writes Press is not risking a darned thing.
The author risks all. I pay for their expertise. Quite a lot, actually. I pay for printing, shipping, warehousing, returns, and numerous other fees. If anything goes wrong, I pay for that, too. Like, if my book doesn’t sell. Eeks, I can’t stand that “like” word, and I used it. Ah, well. Welcome to the millennial generation. I promise to not use it again, at least not in this post.
What do She Writes Press services include?
The following is Exhibit A:
interior design of the book up to 120,000 words
E-book file prep and upload to Amazon, B&N and iBookstore
Distribution to Trade Accounts through their current distribution partner
Management of the distribution relationship for the term of the Agreement
Proofreading of final manuscript
Copyright filing and obtaining Library of Congress control number
Warehousing of short-run printed books for first year
Fulfillment of orders on short-run printed books (I pay shipping)
Support and management of title metadata
Ongoing project management of title for term of Agreement
Support for getting books into bookstores, libraries and other trade outlets
All the above costs $7,500.
I found a blog by Lloyd J. Jassin, an experienced New York publishing attorney, that clearly explains what a publishing contract should contain, and She Writes Press matched his suggestions. If you are interested, his blog is here.
There are a number of terms in the contract that have not been defined to my satisfaction.
One of these terms is “derivatives.” Does this include sequels to the novel?
The contract says nothing about a particular date for She Writes Press to publish my novel, what the New York attorney calls a “Duty to Publish.” Brooke has told me when she expects my book to be published, but this is not in the contract.
Lastly, I want subsidiary rights. These include rights to foreign publishing, motion picture, TV, audio, merchandising, and TV rights. I don’t expect any of that to happen, but, who knows?
Obviously, they are in the publishing business to make money publishing, not to take risks. They are going to be sure to make their profit, no matter what happens to me and my book.
I must go into this with my eyes and my bank account open.
I welcome any and all pertinent suggestions and comments.
Yesterday I read the eight-page (plus Exhibits) publishing contract. I believe contracts can be frightening when you read all the fees you must come up with, as well as where all duties lie, and there are a lot of them. All those items you discussed are now on paper in black and white—legal, or about to be.
Many folks who have been party to real estate contracts know what I mean. That feeling you get when you are sitting at the table with your agent and are signing all those documents, one after the other. It is as though you are signing your life away.
I have only one document, yet this effort to publish my novel is a risk, as it is taking a major chunk out of my savings. My only income is a small social security check each month. I had to think hard about these facts when I learned what publication is going to cost. Brooke Warner with She Writes Press mentioned $10,000, which included their fee, editing, processing, printing, shipment, and numerous other fees, not including publicity, which could be $5,000, or more. Yes, any writers out there, take a good, hard look. These costs are standard.
I decided to walk away from the entire experience for a few hours. Watched a Netflix program. Let it all ruminate in the back of my mind.
Later that evening it was as though one of those comic lightbulbs flashed on in my head. Truly.
All my life I have had jobs that I didn’t like, but probably like many of you out there, I did them to make a living. I worked my way through college to get a degree to teach art, but I moved out of state and schools dropped art from the curriculum at the time I graduated, so I couldn’t get a job teaching.
I ended up as a secretary for years, and hated it.
Took paralegal classes, but that wasn’t fulfilling either.
Worked at an art gallery and designed and facilitated their web site, but that was only fulfilling until it turned into the same process day after day.
This novel, though. Unspoken is my dream. Unspoken is about equality, which has meaningthat is worth the risk I am taking to get it published.
I have felt more alive since I learned I would be published than in the last few years. I have learned more in the last month than I have since college. I am not merely living from day to day. I am on an adventure, an adventure that will last the next couple years and beyond. That adventure is worth $10,000 and more.
Most important. To have something in my life worth living for, something meaningful. I have never had that. My jobs were meaningless, merely survival, a means of putting food on the table, paying for the car, and taking a vacation now and then.
Even if Unspoken fails, it will have been worth the journey and the risk.
Any thoughts on your journeys and risks you have taken? Do you have a dream? What would you risk all for?
I cannot take a step further on this journey without backing up a little and speaking of the wonderful people who helped so much with editing the numerous chapters of my novel almost from its inception. Many thanks to my critique friends at Critique Circle, without whom my manuscript would never have gotten where it is today. Special thanks to my critique buddies who slogged through hours of editing with me.
I began a blog on Critique Circle as well as here, and received some interesting comments about She Writes Press, one of which I am including in this post.
I am poor with anything regarding numbers, always have been. My sister received all mathematical skills from my dad. This may be partly psychological on my part, and appears to have become worse as I have aged. Simple math is no problem, but when it comes to thought problems, it is like attempting to connect the dots—half do not connect.
This particular response concerns Amazon U.S., and is from Trevose. It goes on a bit, but I don’t want to leave anything important out:
“I searched on “she writes press” on Amazon US, in both the Kindle store and in the Book store. It returned a number of titles sorted by “featured” (whatever that means). I spot-checked about 10 of them and they were all published by “she writes press”, so it seems to have been pulling just books published by them.
“Here is the data that came back…
“Results: 103 ebooks (this is not the total, just the top titles I could survey)
“Avg Sales Rank: 388,797
“Avg Monthly Rev: $8
“Avg Price: $1.75
“Avg Number of Reviews: 72 (this seemed like a lot, but I’ve seen where these types of operations expect their authors to review n number of books they’ve previously published — so it is a ‘ladder’ not reciprocal, which keeps it from hitting Amazon’s ‘reciprocal reviews’ tripwire)
“Total Monthly Rev (for all titles combined): $863 (The 4 best selling titles accounted for about half)
“Results: 108 books (this is not the total, just the top titles I could survey)
Avg Sales Rank: 1,094,969
“Avg Monthly Rev: $139
“Avg Price: $15.02
“Avg Number of Reviews: 37
“Total Monthly Rev (for all titles combined): $13,975 (The 5 best selling titles accounted for about half)
“Keep in mind this data is just the Amazon US store. And this data makes assumptions about monthly revenue based on a snapshot of the current sales rank and price. It’s a swag. And keep in mind that this is revenue – not what the author gets. For the sake of discussion, assume the authors get half of these totals. SWP says they get 40% of author earnings for books and 20% for ebooks.
“Additionally, book sales generally have about a year life. That is, after about a year sales trail off to a fraction of their highest point (even if the highest point was really low), so even the better selling books in these lists can’t sustain for long.
“A weird aspect I saw was that almost half of the titles that came back when I pulled the data have not been published yet (some won’t publish until late this year), so a lot of the data is based on pre-publication sales. I’m not sure what to think of this.
“What we can conclude from all this? Yes, they are a vanity press that makes most of their money off of what authors pay them to publish their books (this is not a pejorative statement). These titles are clearly not generating enough cashflow to pay even one full-time staff member. They make a modest amount of money from book sales, but it is pretty small.
“We can also conclude that whatever services SWP provides and some writers have worked together to achieve some market success. On the other hand, based on this data, we can estimate that 99% of authors will never recover the $7,900 SWP charges, and probably half won’t recover even $200 of it.”
I am not familiar with Amazon publishing or anything he is commenting about. Maybe someone out there is? I will be speaking with Brooke Warner of She Writes Press this coming Wednesday and might be able to get her to respond about this then.
I should add that She Writes Press and any affiliate is in no way paying me for writing this. These are reasons why I chose them to publish my very first novel, and am thrilled that they accepted my manuscript.
I received an email from Brooke which stated that, because of Covid-19, it may be spring of 2022 before publication could take place. That gives me about two years to get an author platform and everything else in place. Two years of an amazing journey. Will some of you come along with me?
I was just informed that my manuscript, Unspoken, was accepted by She Writes Press for publication in fall of 2021. That should get me blogging again.
This will be the first of what I hope to be a series about what it’s like to be published for the first time. She Writes Press sent me a 94-page Author Handbook that outlined what I am to expect in the next year, so there is going to be lots to blog about, including: editing, publicity, marketing, social media, branding, etc.
I moved into a new house with my housemates, put together an art studio, painted, started writing again, submitted my manuscript, and what a surprise! In the midst of Covid-19.
I am so fortunate to have so many creative things to do here in my own little abode. And to be living here in Tucson, Arizona.